{"id":437,"date":"2012-05-01T09:00:46","date_gmt":"2012-05-01T09:00:46","guid":{"rendered":"http:\/\/www.finaltest.liyenchong.com\/?p=437"},"modified":"2020-08-01T02:43:34","modified_gmt":"2020-08-01T02:43:34","slug":"invocations","status":"publish","type":"post","link":"https:\/\/liyenchong.com\/?p=437","title":{"rendered":"Invocations"},"content":{"rendered":"\n

Melanie Roger Gallery, Auckland, April 2012<\/p>\n\n\n\n

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Flying Oblique, 2012.
Archival inkjet print, edition of 3<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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<\/p>\n<\/div>\n<\/div>\n\n\n\n

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These are part of a series of works exploring issues in self-imaging that of an identity embedded in the flux of migration and its relationship to mass media, this piece captures what seems to be semi-private, fleeting moments in a studio filled with nameless odds and ends.<\/p>\n<\/div>\n\n\n\n

<\/div>\n<\/div>\n\n\n

\n<\/p>

\"Contemplating <\/a>
Contemplating difference <\/div> <\/div> <\/div>
\"Icons <\/a>
Icons for observing points of the mind <\/div> <\/div> <\/div>
\"Feeling <\/a>
Feeling ahead – peering into a dark hole <\/div> <\/div> <\/div>
\"Autonomous <\/a>
Autonomous Translocation of Forms <\/div> <\/div> <\/div> <\/div>
\"Abolishment <\/a>
Abolishment of Time <\/div> <\/div> <\/div>
\"Phases <\/a>
Phases of Identification with such things as Nouns <\/div> <\/div> <\/div>
\"Invocation <\/a>
Invocation from where no centre can hold <\/div> <\/div> <\/div> <\/div> <\/div>\n

<\/p>","protected":false},"excerpt":{"rendered":"

Melanie Roger Gallery, Auckland, April 2012 These are part of a series of works exploring issues in self-imaging that of an identity embedded in the flux of migration and its relationship to mass media, this piece captures what seems to be semi-private, fleeting moments in a studio filled with nameless odds and ends.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"gallery","meta":{"_uag_custom_page_level_css":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[9,20,4],"tags":[],"class_list":["post-437","post","type-post","status-publish","format-gallery","hentry","category-artworks","category-photography-based-work","category-exhibitions","post_format-post-format-gallery"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false,"post-thumbnail":false,"twentyfourteen-full-width":false,"jetpack-portfolio-admin-thumb":false},"uagb_author_info":{"display_name":"liyenchong.com","author_link":"https:\/\/liyenchong.com\/?author=1"},"uagb_comment_info":0,"uagb_excerpt":"Melanie Roger Gallery, Auckland, April 2012 These are part of a series of works exploring issues in self-imaging that of an identity embedded in the flux of migration and its relationship to mass media, this piece captures what seems to be semi-private, fleeting moments in a studio filled with nameless odds and ends.","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8u2pF-73","_links":{"self":[{"href":"https:\/\/liyenchong.com\/index.php?rest_route=\/wp\/v2\/posts\/437","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/liyenchong.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/liyenchong.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/liyenchong.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/liyenchong.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=437"}],"version-history":[{"count":21,"href":"https:\/\/liyenchong.com\/index.php?rest_route=\/wp\/v2\/posts\/437\/revisions"}],"predecessor-version":[{"id":4970,"href":"https:\/\/liyenchong.com\/index.php?rest_route=\/wp\/v2\/posts\/437\/revisions\/4970"}],"wp:attachment":[{"href":"https:\/\/liyenchong.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=437"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/liyenchong.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=437"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/liyenchong.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=437"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}